Okay, so that's not quite true. I'm still on it. Case in point.
What I mean when I say "the internet blew up" is really "my friends made a really, really big deal about the soundtrack to a new movie coming out."
Movie?
Music?
Now, I'm all for soundtracks that fit the movie. I don't want to watch anything of Austen's with a punk-rock score, and, let's be honest, an organ just doesn't fit with anything in Iron Man.
However, we're talking about a band called Daft Punk. I like Simon & Garfunkel. The Beatles. Butch Walker. Rufus Wainwright.
So when all of my friends (it seemed) went completely mad for this new soundtrack, practically foaming at the mouth, I didn't really pay attention. Well, until the third time or so I heard about it, and then it just became irritating.
I was wrong.
So very wrong.
Today was my first Saturday night back at Coe, and a group of us went out to Sushi House (even better when you've been craving salmon tempura maki since November) and then to the movies. And we went to see Tron.
Overall, I didn't much care for the movie. I haven't seen the original, so there were some things that didn't make any sense (starting with the title). And there were some other things, too. From my understanding, everything in the Grid is a Program (except for the Users--which, incidentally, doesn't make Clu's genocide a genocide. A Program, at least the way I think about it, isn't a sentient being).
A Program is code. Code is binary--a series of ones and zeros. Near the end of the movie, one of the Programs falls into a sea, and (from my understanding--again, not having seen the original) drowns.
One: how is it binary is affected by water? And two: if it is, why have a sea?
I suppose most of my complaints have to do with the fact that everything in the Grid is binary. That kind of ruins emotional attachment. I'm not one to hug my computer.
Anyway. The movie earned a resounding "meh" from me, but I feel in love with the music. I don't like electronic sounding music, but Daft Punk and their 85-piece orchestra was sheer brilliance.
It's very consistent in basic form, but then it gets layered, almost like building blocks. However, they also manage to keep it fairly minimalistic, in keeping with the visual simplicity of the movie. In addition, the music fits into the film nearly seamlessly--one of the best I've seen/heard, if not the best.
It stands well on its own as well (listen here, and start with track four to hear what they've done with the original).
Final score:
The movie barely squeaked by in earning its $9.25. I would gladly pay that for the soundtrack, though, and may do just that.
But the extra $3.00 for 3D is so very, very painfully not worth it. [Did you hear that, Disney? STOP THE 3D INSANITY!]
m.
And, just for the record, Cillian Murphy appears in one scene in the movie and is uncredited (according to IMDB). I caught it, and knew who he was.
